Bev and Kev

AVAILABLE ONLINE NOW from Little Book Press and in all good book stores.

HONOUR BOOK - The Children's Book Council of Australia 2023 Book of the Year Awards!
WINNER SCBWI Crystal Kite Awards 2023.

DRAWING ACTIVITY - How to draw an Elephant from behind. Elephants are basically pears with ears and legs. Download drawing guide. To assist with this activity for younger children especially, download a pre-drawn pear shape to add your own ears and legs to at this link.
CRAFT ACTIVITY - Download a 'Bev and Kev' craft activity sheet here.

HOW TO DRAW BEV - Click on the YouTube button below to follow this 15 minute presentation on 'How to Draw Bev'. Even better... grab a piece of paper and a pencil. You'll be amazed at what you can achieve with a step by step process. A wonderful activity for Teachers to share with students about the importance of creating foundations when drawing.

For an insight as to how I painted the artwork, click on the short painting demonstration below (just over 3 minutes) of painting the Tusker Elephant. Enjoy!

Bev is tall and Kev is small. An unlikely pair!
Could this be the beginning of a very big friendship?
A heart-warming tale about learning to love yourself
and the value of a true friend.

This story was such a joy to illustrate. I feel like I've come full circle going back to the days of illustrating for the Adelaide Zoo. I just love drawing African animals and to be able to work on a text written by such a skilled Author as Katrina, is an absolute dream.

In my school workshops I often talk to students about Authors being able to 'leave room for the illustrator' and this is a classic example of that. Katrina gave me room to move within this story. For example, the opening lines:

Bev was tall.
The animals were always telling her so.

There is such a thing as an African Peguin and they are adorable.

The artwork was created with a mixture of mediums. All the characters were traditionally painted with a combination of acrylic inks and watercolour, with details added in pencil and chalk pastel pencil.
If I hopefully get to meet you in one of my talks or workshops and I have one of these paintings with me (as I often bring the originals), you'll see Bev has a sparkle to her coat. This is thanks to the metallic in the acrylic inks - it doesn't show up in the book but it sure looks magic on the originals!

The backgrounds were made through firstly creating textured paper by hand (a lot of different textures) and then studying each and every one to determine which would best suit the required background for the spread - broad lines resembled tree trunks for the opening spread; more of a scattered texture mimicked the desert when Bev had left the jungle. Extra details were then hand drawn in where required and a colour overlay applied digitally. It's a time consuming process, especially when the texture making part is so unpredictable but the results are well worth it - providing a simple yet visually intriguing background which allows the characters to shine.

I hope you enjoy the journey of Bev and Kev.